Fan's Club: History of Bollywood

Popularity and appeal

Besides being popular among the India diaspora, such far off locations as Nigeria to Egypt to Senegal and to Russia generations of non-Indian fans have grown up with Bollywood during the years, bearing witness to the cross-cultural appeal of Indian movies.^[70] Over the last years of the twentieth century and beyond, Bollywood progressed in its popularity as it entered the consciousness of Western audiences and producers.^[34]^[71]

Africa

Historically, Hindi films have been distributed to some parts of Africa, largely by Lebanese businessmen. Mother India (1957), for example, continued to be played in Nigeria decades after its release. Indian movies have also gained ground so as to alter the style of Hausa fashions, songs have also been copied by Hausa singers and stories have influenced the writings of Nigerian novelists. Stickers of Indian films and stars decorate taxis and buses in Northern Nigeria, while posters of Indian films adorn the walls of tailor shops and mechanics' garages in the country. Unlike in Europe and North America where Indian films largely cater to the expatriate Indian market yearning to keep in touch with their homeland, in West Africa, as in many other parts of the world, such movies rose in popularity despite the lack of a significant Indian audience, where movies are about an alien culture, based on a religion wholly different, and, for the most part, a language that is unintelligble to the viewers. One such explanation for this lies in the similarities between the two cultures. Other similarities include wearing turbans; the presence of animals in markets; porters carrying large bundles, chewing sugar cane; youths riding Bajaj motor scooters; wedding celebrations, and so forth. With the strict Muslim culture, Indian movies were said to show "respect" toward women, where Hollywood movies were seen to have "no shame". In Indian movies women were modestly dressed, men and women rarely kiss, and there is no nudity, thus Indian movies are said to "have culture" that Hollywood films lack. The latter choice was a failure because "they don't base themselves on the problems of the people," where the former is based socialist values and on the reality of developing countries emerging from years of colonialism. Indian movies also allowed for a new youth culture to follow without such ideological baggage as "becoming western."^[70]
Bollywood is also popular among Somalis and the Somali diaspora, where the emerging Islamic Courts Union found a bete noire.^[72] Chad and Ethiopia have also shown an interest in the movies.^[73]
Several Bollywood personalities have avenued to the continent for both shooting movies and off-camera projects. The film Padmashree Laloo Prasad Yadav (2005) was one of many movies shot in South Africa.^[74] Dil Jo Bhi Kahey (2005) was shot almost entirely in Mauritius, which has a large ethnically Indian population.
Ominously, however, the popularity of old Bollywood versus a new, changing Bollywood seems to be diminishing the popularity on the continent. The changing style of Bollywood has begun to question such an acceptance. The new era features more sexually explicit and violent films. Nigerian viewers, for example, commented that older films of the 1950s and 1960s had culture to the newer, more westernized picturizations.^[70] The old days of India avidly "advocating decolonization ... and India's policy was wholly influenced by his missionary zeal to end racial domination and discrimination in the African territories" were replaced by newer realities.^[75] The emergence of Nollywood, Africa's local movie industry has also contributed to the declining popularity of Bollywood films. A greater globalised world worked in tandem with the sexualisation of Indian films so as to become more like American films, thus negating the preferred values of an old Bollywood and diminishing Indian soft power.

Asia

Bollywood films are widely watched in South Asian countries, such as Bangladesh, Nepal, Pakistan and Sri Lanka.
Many Pakistanis watch Bollywood films, as they understand Hindi (due to its linguistic similarity to Urdu).^[76] Pakistan banned the legal import of Bollywood movies in 1965. However, a thriving trade in pirated DVDs^[77] and illegal cable broadcasts ensured the continued popularity of Bollywood releases in Pakistan. Exceptions were made for a few films, such as the 2006 colorized re-release of the classic Mughal-e-Azam or the 2006 film Taj Mahal. Early in 2008, the Pakistani government eased the ban and allowed the import of even more movies; 16 were screened in 2008.^[78] Continued easing followed in 2009 and 2010. The new policy is controversial in Pakistan. It is opposed by ardent nationalists and representatives of Pakistan's small film industry; it is embraced by cinema owners, who are booking large profits after years of poor receipts.^[79]
Bollywood movies are also popular in Afghanistan due to the country's proximity with the Indian subcontinent and certain other cultural perspectives present in the movies.^[80] A number of Bollywood movies were filmed inside Afghanistan while some dealt with the country, including Dharmatma, Kabul Express, Khuda Gawah and Escape From Taliban.^[81]^[82] Hindi films have also been popular in numerous Arab countries, including Palestine, Jordan, Egypt and the Gulf countries.^[83] Imported Indian films are usually subtitled in Arabic upon the film's release. Since the early 2000s, Bollywood has progressed in Israel. Special channels dedicated to Indian films have been displayed on cable television.^[84] Bollywood films are also popular across Southeast Asia (particularly the Malay Archipelago)^[85] and Central Asia (particularly in Uzbekistan^[86] and Tajikistan).^[87]
Some Hindi movies also became big successes in the People's Republic of China during the 1940s and 1950s. The most popular Hindi films in China were Dr. Kotnis Ki Amar Kahani (1946), Awaara (1951) and Two Acres of Land (1953). Raj Kapoor was a famous movie star in China, and the song "Awara Hoon" ("I am a Tramp") was popular in the country. Since then, Hindi films significantly declined in popularity in China, until the Academy Award nominated Lagaan (2001) became the first Indian film to have a nation-wide release there in decades.^[88] The Chinese filmmaker He Ping was impressed by Lagaan, especially its soundtrack, and thus hired the film's music composer A. R. Rahman to score the soundtrack for his film Warriors of Heaven and Earth (2003).^[89] Several older Hindi films also have a cult following in Japan, particularly the films directed by the late Guru Dutt.^[90]

Europe

The awareness of Hindi cinema is substantial in the United Kingdom,^[91] where they frequently enter the UK top ten. Many films, such as Kabhi Khushi Kabhie Gham (2001) have been set in London. Bollywood is also appreciated in France, Germany, the Netherlands,^[92] and the Scandinavian countries. Various Bollywood movies are dubbed in German and shown on the German television channel RTL II on a regular basis.^[93]
Bollywood films are particularly popular in the former Soviet Union. Bollywood films have been dubbed into Russian, and shown in prominent theatres such as Mosfilm and Lenfilm.
Ashok Sharma, Indian Ambassador to Suriname, who has served three times in the Commonwealth of Independent States region during his diplomatic career said:

The popularity of Bollywood in the CIS dates back to the Soviet days when the films from Hollywood and other Western countries were banned in the Soviet Union. As there was no means of other cheap entertainment, the films from Bollywood provided the Soviets a cheap source of entertainment as they were supposed to be non-controversial and non-political. In addition, the Soviet Union was recovering from the onslaught of the Second World War. The films from India, which were also recovering from the disaster of partition and the struggle for freedom from colonial rule, were found to be a good source of providing hope with entertainment to the struggling masses. The aspirations and needs of the people of both countries matched to a great extent. These films were dubbed in Russian and shown in theatres throughout the Soviet Union. The films from Bollywood also strengthened family values, which was a big factor for their popularity with the government authorities in the Soviet Union.^[94]

The film Mera Naam Joker (1970), sought to cater to such an appeal and the popularity of Raj Kapoor in Russia, when it recruited Russian actress Kseniya Ryabinkina for the movie. In the contemporary era, Lucky: No Time for Love was shot entirely in Russia. After the collapse of the Soviet film distribution system, Hollywood occupied the void created in the Russian film market. This made things difficult for Bollywood as it was losing market share to Hollywood. However, Russian newspapers report that there is a renewed interest in Bollywood among young Russians.^[95]

North America

Bollywood has experienced a marked growth in revenue in North American markets, and is particularly popular amongst the South Asian communities in large cities as Chicago, Toronto and New York City.^[34] Yash Raj Films, one of India's largest production houses and distributors, reported in September 2005 that Bollywood films in the United States earn around $100 million a year through theater screenings, video sales and the sale of movie soundtracks.^[34] In other words, films from India do more business in the United States than films from any other non-English speaking country.^[34] Numerous films in the mid-1990s and onwards have been largely, or entirely, shot in New York, Los Angeles, Vancouver and Toronto. Bollywood's immersion in the traditional Hollywood domain was further tied with such films as The Guru (2002) and Marigold: An Adventure in India (2007) trying to popularise the Bollywood-theme for Hollywood.

Oceania

Bollywood is not as successful in the Oceanic countries and Pacific Islands such as New Guinea. However, it ranks second to Hollywood in countries such as Fiji, with its large Indian minority, Australia and New Zealand.^[96]
Australia is one of the countries where there is a large South Asian Diaspora. Bollywood is popular amongst non-Asians in the country as well.^[96] Since 1997 the country has provided a backdrop for an increasing number of Bollywood films.^[96] Indian filmmakers have been attracted to Australia's diverse locations and landscapes, and initially used it as the setting for song-and-dance sequences, which demonstrated the contrast between the values.^[96] However, nowadays, Australian locations are becoming more important to the plot of Bollywood films.^[96] Hindi films shot in Australia usually incorporate aspects of Australian lifestyle. The Yash Raj Film Salaam Namaste (2005) became the first Indian film to be shot entirely in Australia and was the most successful Bollywood film of 2005 in the country.^[97] This was followed by Heyy Babyy (2007) Chak De! India (2007) and Singh Is Kinng (2008) which turned out to be box office successes.^[96] Following the release of Salaam Namaste, on a visit to India the then Prime Minister John Howard also sought, having seen the film, to have more Indian movies shooting in the country to boost tourism, where the Bollywood and cricket nexus, was further tightened with Steve Waugh's appointment as tourism ambassador to India.^[98] Australian actress Tania Zaetta, who co-starred in Salaam Namaste, among other Bollywood films, expressed her keenness to expand her career in Bollywood.^[99]

South America

Bollywood movies are not influential in South America, though Bollywood culture and dance is recognised. In 2006, Dhoom 2 became the first Bollywood film to be shot in Rio de Janeiro, Brazil.^[100]

Plagiarism

Constrained by rushed production schedules and small budgets, some Bollywood writers and musicians have been known to resort to plagiarism. Ideas, plot lines, tunes or riffs have been copied from other Indian film industries or foreign films (including Hollywood and other Asian films) without acknowledgement of the original source. This has led to criticism towards the film industry.^[101]
In past times, this could be done with impunity. Copyright enforcement was lax in India and few actors or directors ever saw an official contract.^[102] The Hindi film industry was not widely known to non-Indian audiences (excluding the Soviet states), who would not even be aware that their material was being copied. Audiences may also not have been aware of the plagiarism since many audiences in India were unfamiliar with foreign films and music. While copyright enforcement in India is still somewhat lenient, Bollywood and other film industries are much more aware of each other now and Indian audiences are more familiar with foreign movies and music. Organizations like the India EU Film Initiative seek to foster a community between film makers and industry professional between India and the EU.^[101]
One of the common justifications of plagiarism in Bollywood is that producers often play a safer option by remaking popular Hollywood films in an Indian context. Screenwriters generally produce original scripts, but due to financial uncertainty and insecurity over the success of a film many were rejected.^[101] Screenwriters themselves have been criticised for lack of creativity which happened due to tight schedules and restricted funds in the industry to employ better screenwriters.^[103] Certain filmmakers see plagiarism in Bollywood as an integral part of globalisation where American and western cultures are firmly embedding themselves into Indian culture, which is manifested, amongst other mediums, in Bollywood films.^[103] Vikram Bhatt, director of films such as Raaz, a remake of What Lies Beneath, and Kasoor, a remake of Jagged Edge, has spoken about the strong influence of American culture and desire to produce box office hits based along the same lines in Bollywood. He said, "Financially, I would be more secure knowing that a particular piece of work has already done well at the box office. Copying is endemic everywhere in India. Our TV shows are adaptations of American programmes. We want their films, their cars, their planes, their diet cokes and also their attitude. The American way of life is creeping into our culture."^[103] Mahesh Bhatt has said, "If you hide the source, you're a genius. There's no such thing as originality in the creative sphere".^[103]
There have been very few cases of film copyright violations taken to court because of serious delays in the legal process, and due to the long time they take to decide a case.^[101] There have been some notable cases of conflict though. The makers of Partner (2007) and Zinda (2005) have been targeted by the owners and distributors of the original films, Hitch and Oldboy.^[104]^[105] American Studio Twentieth Century Fox brought the Mumbai-based B.R. Films to court over its forthcoming Banda Yeh Bindaas Hai, allegedly an illegal remake of its 1992 film My Cousin Vinny. B.R. Films eventually settled out of court by paying the studio at a cost of about $200,000, paving the way for the film's release.^[106] Some on the other hand do comply with copyright law, with Orion Pictures recently securing the rights to remake the Hollywood film Wedding Crashers.^[107]

References

^ Richard Corliss (16 September 1996). "Hooray for Bollywood!". Time Magazine. http://www.time.com/time/magazine/article/0,9171,985129,00.html?internalid=atm100.
^ Pippa de Bruyn; Niloufer Venkatraman; Keith Bain (2006). Frommer's India. Frommer's. p. 579. ISBN 0471794341.
^ Wasko, Janet (2003). How Hollywood works. SAGE. p. 185. ISBN 0761968148.
^ K. Jha; Subhash (2005). The Essential Guide to Bollywood. Roli Books. p. 1970. ISBN 8174363785.
^ ^a ^b Gulzar; Nihalani, Govind; Chatterji, Saibal (2003). Encyclopaedia of Hindi Cinema. Encyclopaedia Britannica (India) Pvt Ltd.. pp. 10–18. ISBN 8179910660.
^ Ramesh, Randeep (24 October 2008). "English is recast in Indian films". London: The Guardian. http://www.guardian.co.uk/education/2008/oct/17/bollywood-english. Retrieved 2008-11-18.
^ ^a ^b Rajghatta, Chidanand (6 July 2008). "Bollywood in Hollywood". The Times of India. http://timesofindia.indiatimes.com/Columnists/C_Rajghatta_Bollywood_in_Hollywood/articleshow/3201937.cms. Retrieved 2009-02-20.
^ Crusie, Jennifer;Yeffeth, Glenn (2005). Flirting with Pride & Prejudice. BenBella Books, Inc.. p. 92. ISBN 1932100725.
^ Subhash K Jha (8 April 2005). "Amit Khanna: The Man who saw ‘Bollywood’". Sify. http://sify.com/movies/bollywood/fullstory.php?id=13713296. Retrieved 2009-05-31.
^ Anand (7 March 2004). "On the Bollywood beat". The Hindu. http://www.hindu.com/lr/2004/03/07/stories/2004030700390600.htm. Retrieved 2009-05-31.
^ Sarkar, Bhaskar (2008). "The Melodramas of Globalization". Cultural Dynamics 20: 31–51 [34]. doi:10.1177/0921374007088054. "Madhava Prasad traces the origin of the term to a 1932 article in the American Cinematographer by Wilford E. Deming, an American engineer who apparently helped produce the first Indian sound picture. At this point, the Calcutta suburb of Tollygunje was the main center of film production in India. Deming refers to the area as Tollywood, since it already boasted two studios with ‘several more projected’ (Prasad, 2003) ‘Tolly’, rhyming with ‘Holly’, got hinged to ‘wood’ in the Anglophone Indian imagination, and came to denote the Calcutta studios and, by extension, the local film industry. Prasad surmises: ‘Once Tollywood was made possible by the fortuitous availability of a half-rhyme, it was easy to clone new Hollywood babies by simply replacing the first letter’ (Prasad, 2003)."
^ ^a ^b Gulzar; Nihalani, Govind; Chatterji, Saibal (2003). Encyclopaedia of Hindi Cinema. Encyclopaedia Britannica (India) Pvt Ltd.. pp. 136–137. ISBN 8179910660.
^ K. Moti Gokulsing, K. Gokulsing, Wimal Dissanayake (2004). Indian Popular Cinema: A Narrative of Cultural Change. Trentham Books. p. 17. ISBN 1858563291
^ Sharpe, Jenny (2005). "Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge". Meridians: feminism, race, transnationalism 6 (1): 58–81 [60 & 75]
^ Gooptu, Sharmistha (July 2002). "Reviewed work(s): The Cinemas of India (1896-2000) by Yves Thoraval". Economic and Political Weekly 37 (29): 3023–4
^ ^a ^b ^c ^d K. Moti Gokulsing, K. Gokulsing, Wimal Dissanayake (2004). Indian Popular Cinema: A Narrative of Cultural Change. Trentham Books. p. 18. ISBN 1858563291
^ Mother India at the Internet Movie Database
^ "Film Festival - Bombay Melody". University of California, Los Angeles. 17 March 2004. http://www.international.ucla.edu/calendar/showevent.asp?eventid=1618. Retrieved 2009-05-20.
^ ^a ^b Doniger, Wendy (2005). "Chapter 6: Reincarnation". The woman who pretended to be who she was: myths of self-imitation. Oxford University Press. pp. 112–136 [135]. ISBN 0195160169
^ ^a ^b ^c Ahmed, Rauf. "The Present". Rediff.com. Archived from the original on 2008-05-29. http://web.archive.org/web/20080529044434/http://www.rediff.com/millenni/rauf2.htm. Retrieved 2008-06-30.
^ ^a ^b ^c Maker of innovative, meaningful movies. The Hindu, 15 June 2007
^ "Do Bigha Zamin at filmreference". Filmreference.com. 1980-08-03. http://www.filmreference.com/Films-De-Dr/Do-Bigha-Zamin.html. Retrieved 2010-11-12.
^ Srikanth Srinivasan (4 August 2008). "Do Bigha Zamin: Seeds of the Indian New Wave". Dear Cinema. http://dearcinema.com/review-do-bigha-zamin-bimal-roy. Retrieved 2009-04-13. ^{[dead link]}
^ ^a ^b "India and Cannes: A Reluctant Courtship". Passion For Cinema. 2008. http://passionforcinema.com/india-and-cannes-a-reluctant-courtship. Retrieved 2009-05-20.
^ K. Moti Gokulsing, K. Gokulsing, Wimal Dissanayake (2004). Indian Popular Cinema: A Narrative of Cultural Change. Trentham Books. pp. 18–9. ISBN 1858563291
^ Kevin Lee (2002-09-05). "A Slanted Canon". Asian American Film Commentary. http://www.asianamericanfilm.com/archives/000026.html. Retrieved 2009-04-24.
^ "All-Time 100 Best Movies". Time (Time, Inc.). 2005. http://www.time.com/time/2005/100movies/the_complete_list.html. Retrieved 2008-05-19.
^ "2002 Sight & Sound Top Films Survey of 253 International Critics & Film Directors". Cinemacom. 2002. http://www.cinemacom.com/2002-sight-sound.html. Retrieved 2009-04-19.
^ Rajadhyaksa, 685
^ Rajadhyaksa, 688
^ ^a ^b Amitava Kumar (23 December 2008). "Slumdog Millionaire's Bollywood Ancestors". Vanity Fair. http://www.vanityfair.com/online/oscars/2008/12/slumdog-millionaires-bollywood-ancestors.html. Retrieved 2008-01-04.
^ ^a ^b Aruti Nayar (2007-12-16). "Bollywood on the table". The Tribune. http://www.tribuneindia.com/2007/20071216/spectrum/main11.htm. Retrieved 2008-06-19.
^ Christian Jungen (4 April 2009). "Urban Movies: The Diversity of Indian Cinema". FIPRESCI. http://www.fipresci.org/festivals/archive/2009/fribourg/indian_cinema_chjungen.htm. Retrieved 2009-05-11.
^ ^a ^b ^c ^d ^e ^f Anita N. Wadhwani. "Bollywood Mania" Rising in United States. US State Department. (9 August 2006. retrieved on 29 July 2010.
^ Tridevi, Tanvi (31 May 2008). "Who is the next Bollywood queen?". The Times of India. http://timesofindia.indiatimes.com/India_Buzz/Who_is_the_next_Bollywood_queen/articleshow/3085603.cms. Retrieved 2009-04-02.
^ "Top Actress". BoxOfficeIndia.Com. http://boxofficeindia.com/cpages.php?pageName=top_actress. Retrieved 2008-01-08.
^ ^a ^b ^c ^d ^e ^f ^g Gokulsing, K. Moti; Dissanayake, Wimal (2004). Indian Popular Cinema: A Narrative of Cultural Change. Trentham Books. pp. 98–99. ISBN 1858563291
^ Matthew Jones (January 2010). "Bollywood, Rasa and Indian Cinema: Misconceptions, Meanings and Millionaire". Visual Anthropology 23 (1): 33–43. doi:10.1080/08949460903368895
^ "Baz Luhrmann Talks Awards and "Moulin Rouge"". http://movies.about.com/library/weekly/aa030902a.htm.
^ "Guide Picks - Top Movie Musicals on Video/DVD". About.com. http://movies.about.com/library/weekly/aatpmusicals.htm. Retrieved 2009-05-15.
^ "Hollywood/Bollywood". Public Broadcasting Service. http://www.pbs.org/independentlens/cosmopolitan/bollywood.html. Retrieved 2010-02-12.
^ "Slumdog draws crowds, but not all like what they see". Melbourne: The Age. 25 January 2009. http://www.theage.com.au/world/slumdog-draws-crowds-but-not-all-like-what-they-see-20090124-7p33.html. Retrieved 2008-01-24.
^ Doniger, Wendy (2005). "Chapter 6: Reincarnation". The woman who pretended to be who she was: myths of self-imitation. Oxford University Press. pp. 112–136 [128–31 & 135]. ISBN 0195160169
^ "Exploits of a date doc". The Hindu. 15 April 2005. http://www.hindu.com/fr/2005/04/15/stories/2005041503170200.htm. Retrieved 2009-03-15.
^ DEVO - disco dancer with commentary at YouTube
^ "Truth Hurts". VH1. 2002-09-19. http://www.vh1.com/artists/news/1457672/09192002/truth_hurts.jhtml. Retrieved 2009-05-18.
^ Erikka Innes (28 February 2009). "In honor of A R Rahman - examples of Indian music in America". SF Indie Music Examiner. http://www.examiner.com/x-2629-SF-Indie-Music-Examiner~y2009m2d28-In-honor-of-A-R-Rahman---examples-of-Indian-music-in-America. Retrieved 2009-03-01.
^ ae naujawan hai sub kuchh yahan - Apradh 1972 at YouTube
^ Robin Denselow (2 May 2008). "Kalyanji Anandji, The Bollywood Brothers". London: The Guardian. http://www.guardian.co.uk/music/2008/may/02/worldmusic1. Retrieved 2009-03-01.
^ Löwenherz - Bis in die Ewigkeit at YouTube
^ Kalita, S. Mitra (2005). Suburban Sahibs: Three Immigrant Families And Their Passage from India to America. Rutgers University Press, p. 134. ISBN 0-8135-3318-X
^ Gangadhar, V. (April 13, 2007). "Moving with the times". The Hindu. http://www.hindu.com/fr/2007/04/13/stories/2007041300860100.htm. Retrieved 2009-12-09.
^ ^a ^b ^c ^d Gupta, Suman; Omoniyi, Tope (2001). The Cultures of Economic Migration: International Perspectives. Ashgate Publishing Ltd. p. 202. ISBN 9780754670704. http://books.google.com/?id=nr2724-bOfMC&pg=PA202&lpg=PA202&dq=bollywood+western+blue+eyes+resistance.
^ Free Reeling, PLAY, Sunday Mid-day, 11 March 2007, Mumbai. MH/MR/WEST/66/2006-08 Khubchandani, Lata. "Memories of another day". mid-day.com. http://www.mid-day.com/smd/play/2007/march/153266.htm.
^ A. Chatterji, Shoma (30 June 2007). "Where East meets West". The Tribune. http://www.tribuneindia.com/2007/20070630/saturday/main1.htm. Retrieved 2008-08-09.
^ ^a ^b ^c "Lagaan used synchronized sound". Indiatimes. January 16, 2009. http://movies.indiatimes.com/News-Gossip/Did-you-Know-/Lagaan-used-synchronized-sound/articleshow/3987370.cms. Retrieved 2009-12-29.
^ BBC News: Kashmir beckons Bollywood (10 April 2003).
^ BOLLYWOOD - The Indian Cinema and Switzerland (2002).
^ The Hindu: Bollywood boosts Austria’s tourism potential. (2008).
^ Us Salam, Ziya (August 12, 2007). "Assault of the mixed doubles". The Hindu. http://www.hindu.com/mag/2007/08/12/stories/2007081250070400.htm. Retrieved 2009-12-09.
^ "Rediff: 'I & B Ministry will help film industry'". http://www.rediff.com/entertai/2001/mar/31sush.htm.
^ Singh, Vijay (1 October 2003). "Bharat Shah sentenced, but won't have to spend time in prison". Rediff.com. http://www.rediff.com/news/2003/oct/01shah.htm. Retrieved 2008-02-14.
^ ^a ^b Ramanan, Manju (21 February 2005). "A different canvas". The Times of India. http://timesofindia.indiatimes.com/articleshow/1027777.cms. Retrieved 2008-11-21.
^ Skelton, Tracey;Allen, Tim (1999). Culture and Global Change. Routledge. p. 269. ISBN 0415139171.
^ Ferrao, Dominic (31 January 2003). "Bollywood wakes up to the power of Web". The Times of India. http://timesofindia.indiatimes.com/articleshow/36007765.cms. Retrieved 2008-11-21.
^ "Indian Television: Leo Entertainment capitalises on film placements". http://www.indiantelevision.com/special/y2k3/valuecreation5.htm.
^ "Filmfare Awards gets new sponsor". Movies.indiatimes.com. http://movies.indiatimes.com/articleshow/msid-1367349,prtpage-1.cms. Retrieved 2010-11-12.
^ "Diaspora News & Network Ltd". Dnnworld.com. 2005-03-04. http://www.dnnworld.com/filmfare.php. Retrieved 2010-11-12.
^ Filmfare Awards Complete Winners List - BollywoodSoundtracks.com
^ ^a ^b ^c Larkin, Brian (2002-08-31). "Bollywood Comes To Nigeria". Samarmagazine.org. http://www.samarmagazine.org/archive/article.php?id=21. Retrieved 2010-11-12.
^ Can new money create a world-class film industry in India?. Business Week.
^ "Cinema clashes end in Mogadishu". BBC News. 2005-11-14. http://news.bbc.co.uk/2/hi/africa/4435366.stm. Retrieved 2009-12-31.
^ "McClatchy blog: Somewhere in Africa". Washingtonbureau.typepad.com. 2008-08-06. http://washingtonbureau.typepad.com/nairobi/2008/08/you-from-indian.html. Retrieved 2010-11-12.
^ Balchand, K. (September 26, 2004). "Lalu Prasad, at home". The Hindu. http://www.hindu.com/2004/09/26/stories/2004092600682000.htm. Retrieved 2009-12-09.
^ "Bollywood in Africa - Is it getting too Western? - How the World Works". Salon.com. 2007-06-13. http://www.salon.com/tech/htww/2007/06/13/bollywood_in_africa/. Retrieved 2010-11-12.
^ "Despite official ban, Hindi movies are a craze in Pakistan". http://www.newindpress.com/NewsItems.asp?ID=IEE20051004061008&Page=E&Title=Startrek&Topic=0. Retrieved 2008-02-05.
^ "Bollywood stumbles in Pak with Taj Mahal". The Indian Express. 14 May 2006. http://www.expressindia.com/news/fullstory.php?newsid=67664. Retrieved 2008-11-21.
^ "Will it be curtains for Indian films in Pakistan?". ThaIndian. 9 January 2009. http://www.thaindian.com/newsportal/politics/will-it-be-curtains-for-indian-films-in-pakistan_100137752.html. Retrieved 2010-02-23.
^ "The Mirror is Watching\accessdate=2009-02-23". Outlook India. 1 March 2010. http://www.outlookindia.com/article.aspx?264316.
^ India, more so than Pakistan seems to share a similar style of music and musical instruments with Afghanistan. The Hindu Business Line: It's Bollywood all the way in Afghanistan
^ "CNN World: Kabul TV bans 'explicit' Indian films, soaps". 2002-08-29. http://archives.cnn.com/2002/WORLD/asiapcf/central/08/29/kabul.tv/index.html. Retrieved 2010-04-26.
^ "BBC: Bollywood eyes Afghan market". BBC News. 2001-11-27. http://news.bbc.co.uk/1/hi/entertainment/film/1679115.stm. Retrieved 2009-12-31.
^ PTI (8 October 2006). "Bollywood films gaining popularity in Gulf countries". The Times of India. http://timesofindia.indiatimes.com/articleshow/2121632.cms. Retrieved 2008-11-21.
^ PTI (16 November 2004). "Indian films swamp Israel". The Tribune. http://www.tribuneindia.com/2004/20041116/world.htm. Retrieved 2008-11-21.
^ Yogendra Singh (19 November 2008). "Bollywood in Southeast Asia". Institute of Peace and Conflict Studies. http://www.ipcs.org/article_details.php?articleNo=2734. Retrieved 2009-05-18.
^ Louise Hidalgo (24 October 1998). "Indian films are known for their all singing all dancing formula". BBC News. http://news.bbc.co.uk/1/hi/world/south_asia/200689.stm. Retrieved 2009-05-18.
^ Monica Whitlock & Rahim Rahimian (Wednesday, 23 June 2004). "Bollywood bowls Tajiks over". BBC News. http://news.bbc.co.uk/1/hi/world/south_asia/3834295.stm. Retrieved 2009-05-18.
^ Anil K. Joseph (20 November 2002). "Lagaan revives memories of Raj Kapoor in China". Press Trust of India. http://www.expressindia.com/news/fullstory.php?newsid=16983. Retrieved 2009-01-30.
^ "Rahman's 'Lagaan' cast a spell on me". Sify. 13 February 2004. http://sify.com/peopleandplaces/fullstory.php?id=13388284. Retrieved 2009-02-24.
^ "Asian Film Series No.9 GURU DUTT Retorospective". Japan Foundation. 2001. http://www.jpf.go.jp/e/culture/new/old/0101/01_03.html. Retrieved 2009-05-13.
^ "Can new money create a world-class film industry in India?". http://www.businessweek.com/magazine/content/02_48/b3810013.htm.
^ Francis C. Assisi. Bollywood Culture Binds Global Indian Diaspora
^ Lehmann, Ana (5 December 2004). "Bollywood in Germany". The Tribune. http://www.tribuneindia.com/2004/20041205/spectrum/main3.htm. Retrieved 2008-11-21.
^ Ashreena, Tanya. "Promoting Bollywood Abroad Will Help to Promote India". http://www.chillibreeze.com/articles/Indian-films.asp.
^ RussiaToday : Features : Bollywood challenges Hollywood in Russia^{[dead link]}
^ ^a ^b ^c ^d ^e ^f IANS (15 September 2007). "Bollywood clubs popular among Australians". The Times of India. Archived from the original on 12 February 2008. http://web.archive.org/web/20080212095151/http://economictimes.indiatimes.com/News/News_By_Industry/ET_Cetera/Bollywood_clubs_popular_among_Australians/articleshow/2372640.cms. Retrieved 2007-11-12.
^ Phillips, Mark (13 May 2005). "Bollywood on Bourke Street". Melbourne: The Age. http://www.theage.com.au/news/Film/Bollywood-on-Bourke-Street/2005/05/12/1115843307939.html. Retrieved 2008-08-18.
^ "Australian PM says Salaam Namaste to Bollywood". bonza.rmit.edu.au. 7 March 2006. http://www.bonza.rmit.edu.au/essays/2006/Mithila%20Gupta/CollectionofAnnotatedRef.html. Retrieved 2008-11-17.
^ Ramachandran, Arjun (23 May 2008). "Tania Zaetta's Bollywood career in doubt". The Sydney Morning Herald. http://www.smh.com.au/news/people/tania-zaettas-bollywood-career-in-doubt/2008/05/23/1211183051898.html. Retrieved 2008-11-17.
^ Firdaus Ashraf, Syed (15 September 2006). "Will Hrithik's Dhoom 2 prove lucky for Brazil?". Rediff.com. http://www.rediff.com/movies/2006/sep/15sfa.htm. Retrieved 2008-03-05.
^ ^a ^b ^c ^d Shedde, Meenakshi (2003-05-18). "Plagiarism issue jolts Bollywood.". The Times Of India. http://timesofindia.indiatimes.com/cms.dll/html/uncomp/articleshow?msid=46715385. Retrieved 2007-10-17.
^ Ayres, Alyssa; Oldenburg, Philip (2005). India briefing: takeoff at last. M.E. Sharpe. p. 174. ISBN 9780765615930. http://books.google.com/?id=gi7w-vTfELsC&pg=PA174&dq=bollywood+plagiarism#PPA174,M1.
^ ^a ^b ^c ^d "Cloning Hollywood". The Hindu. 3 August 2003. http://www.hindu.com/thehindu/mag/2003/08/03/stories/2003080300090400.htm. Retrieved 2009-04-14.
^ "Partner may face $30 mn Hitch". The Times Of India. http://economictimes.indiatimes.com/Partner_may_face_30_mn_Hitch/articleshow/2264000.cms/.
^ "Copycat filmmaker lacks creativity". The Hindu. 20 January 2006. http://www.hindu.com/fr/2006/01/20/stories/2006012002530300.htm. Retrieved 2009-02-13.
^ Blakely, Rhys (2009-08-07). "Plagiarism case could stop Bollywood borrowing from Hollywood". London: Entertainment.timesonline.co.uk. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/bollywood/article6742092.ece. Retrieved 2010-11-12.
^ Orion Pictures produce official remake to Wedding Crashers, Bollywood Hungama

Fan's Club

Wednesday, December 8, 2010

History of Bollywood - Part-3